Відео

??? Are you certain?

It dose just not ProRes raw and that issue mainly lies with apple from my understanding 😅

@@mariotriforce I dont care whos fault this is. If I want to get the highest picture quality and use davinci, I cannot use raw which is the best codec for grading - makes no sense to me. also, they dropped prores on their cameras as well - what does that tell you? Do I want to invest in an workflow and then it is suddenly abandoned?

Davinci does support ProRes - only ProRes Raw is still not supported. For me as I am using BRAW with my bmcc 6k and my fp it is the perfect tool - for me.

Lol pro res is for losers. Bm raw is where its at

😂😂😂 what kind of comment is this

​@@blacksolidChrome a grammar checker can't save her 😂

@@boodi1170 mit minderwertigem Inhalt, der nicht mal von anderen ist würde ich mal rassistische Sprüche gegen Leute deren Muttersprache nicht Englisch ist zurückhaltend sein. Du hast im Gegensatz zu mir nicht mal eine Fairlight Trainer Lizenz. Der Beitrag hier war reine Lobhudelei ohne irgendwelche Relevanz. Blackmagic DR entwickelt sich zur unbrauchbaren Software für professionellen Einsatz im Audiobereich und ist zudem laut EU Gesetzen illegal.

@@blacksolidChrome ein Kommentar von jemandem der ne DR Trainerlizenz hat. Zudem auf einer Fairlight EVO von 2017 für 130000.- € arbeitet. Der Beitrag ist ne reine Oberflächliche Marketing Lobhudeleien um ein paar clicks zu bekommen.

@@DavinciGirl Gratuliere zu deiner DR Trainerlic! Trotzdem find ich deinen Kommentar nicht ok. Ja es gibt viiiiiiiiele nervige Sachen in DR bzw. einfach Sachen wo die keinen Bock haben was anzupassen oder settings freizugeben. ( vom wtf Speed Editor bis zu settings für die playbar in Cinema Mode). In seinem Video hat er auf die cleanslate hingewiesen was ich eine interessante Neuerung fand die auch so nicht in der kleinen changelog ist. Insofern war das Video berechtigt. Ist auch wenig interessant in jeeeedem Video zu den downsides sich zu äußern. Dein beef mit Dr musste im Forum äußern. Ob die cloud legal oder illegal in der eu ist oder nicht? Gibt genug die es in der eu benutzen….

I think dehancer is overpriced but I actually think it's valuable because it's a true emulation which is important depending on what your post pipeline is. I think a better cheaper alternative is colourpro. Film look creator is definitely awesome regardless.

I’m sorry. What is it that you are not aware of?

@@thierrivirgil yes. Very true. I just wish it was disabled by default

That’s really kind of you to say. I really appreciate the support.

Not crazy at all. If it makes “cents”, then you should consider it. All I will say is try and rent one if you can before going all in. Remember to use post hype clarity 🤫😀😃

@@JamesJacksonFilmz yeah you’re right! I never use my FX9 for live work where all the SDI ports might come in handy. Mainly I do corporate videos and commercials. My main issue with the FX9 is that I must crop in on the sensor to get slowmo, and once I do that I lose the amazing autofocus. With that said the camera loses its main point by being full frame for me. I reached out to several places to see how much I could get for my FX9 if I traded it in for a C400, and 3 out of 5 places didn’t want it at all. They said that FX9 sales have dropped to almost zero. That makes me sad but also realizing that if I am ever to trade it in it should perhaps be now before the price gets crazy low. FX9 delivers a great image but at quite some compromises. The C400 is (IMO) almost a Burano in many ways but way cheaper.

Where will you be celebrating your honeymoon with her?

That’s fine. Go with the camera that works for you.

I’m just being honest about my feelings and my reasons.

@@JamesJacksonFilmz Yes, I understand you perfectly. I downgraded to the FX30, it does everything I need for a fraction of the cost, not for everyone of course. Don't you feel that there are tons of options out there right now in every brand. Maybe the camera switch days are over. Don't you think?

@@nyambe I agree that there are a ton of options out there for people to choose and won’t regret it. I do however feel the brand switching will continue, one UA-camrs will do it for clicks and views, but the main and real reason is people’s perspective on filmmaking and career paths will always change and that could change what they need and or want in a brand’s camera.

@@JamesJacksonFilmz Yes! UA-camrs will do anything for clics. Have you noticed that most youtubers have not used these cameras on actual working projects.

Hey go with what works for you. All these cameras are about the same at this point.

Totally agree. If you’re already invested in the RF system it’s a lot easier to consider it.

Odd thing is, I got tired and waiting for a c70 mk2 so I started investing in lidar and cine glass and what’s really impressive about it is that the footage looks great, but it doesn’t look like typical canon footage. I want the 400 now for the best of both worlds, plus the 6k super res into a 4k workflow and all the added connection benefits from the larger body.

Set Your Heart Ablaze 🔥

Great question! While the large format global shutter is nice, the 3:2 Open Gate feature will be my choice. My reason: the variety of lenses, delivery options as well as composition options that I can play with appeal to me as a filmmaker and an artist. It’s “almost limitless”. I don’t move my cameras that much where rolling shutter will be a problem. Even if there was a situation where I did need to, there’s so many affordable rolling shutter options out there for those select moments.

@@JamesJacksonFilmz thanks for this answer I was debating between the 2 but I always felt that the open gate was a better feature and I also feel like the new Ursa cine 12k will be a better camera than any RED camera and as good as ARRI this camera is gonna shock the world

@@mcneilbelle I agree. But don’t just go off my word for validation. At the end of the day we all are our own individual visionaries. You should make sure whatever camera you go with makes !Cents! Especially these higher end higher priced cameras.

Black Magic has never performed well on the Cine D lab test and outside of loving them for affordable pricing there's a reason why the camera never shows up on any Sundance List in Narratives or Documentaries. If you're a Black Magic user it makes since why you stick with BM but outside of that the lack of 3:2 mode has never been a problem

@@KamalJones many cameras haven’t done well on the CineD test and still went on to be used on major productions. Their tests are not biblical and shouldn’t be treated as such. They’re just information for you to take about the camera. You are right Blackmagic is not known to be on big sets. But they most certainly have been used on major blockbuster and major IP projects For one the OG pocket cameras were used on the Avengers Age of Ultron and there’s video out showing Jon Favreau using the Ursa Mini on the Mandalorian Season One set. I also do know from first hand people who are winning major awards for projects filmed on the Ursa Cameras. What Blackmagic is doing with the Ursa Cine is to change the narrative of their cameras. Will they? We don’t know only time will tell.

@@JamesJacksonFilmzfirst much respect to your content and love seeing US in this space, with that said back to spades lol! … there’s not one professional DP who criticized cineD testing as it’s the most thorough unless you have another suggestion. Avengers use so many cameras including 5D mark 3 and as an experienced Canon shooter that camera was trashed compared to a6400 which was not used so can’t use that to as point. 3. It Ain’t hard to verify my status in the industry so to my first hand knowledge BM is not in the ball park of being on award winning sets as Canon and that’s FACTUAL!!!

@@KamalJones Thank you and appreciate that comment but i believe you misread what I wrote. I never said anything critical about Cined lab test. I simply said it’s just information and should be treated as that. Personal too many people judge their camera pursuits on numbers instead of actually using the camera. And again I never said BM was on as many award projects as Canon. I actually agreed with you. My point BM is trying to make inroads and that I already know they are on sets and I also know people personally have gone through film festivals and won multiple awards for their documentary shot on Blackmagic cameras. Canon for a while held down the documentary field but now Sony has made in roads and now Blackmagic is giving it a go. Again will they? We don’t know but we shall see if things change with the Ursa Cone 12k

Viltrox PL to L adapter. The lenses were already shimmed accordingly when I received them but this was a loaner set so keep that in mind.

@@JamesJacksonFilmz oh ok that makes sense, did you end up purchasing a pair of laowas?

Appreciate that man. Same to you

Keep the videos coming.

Sorry mate can’t

One thing I say for this channel. I always make sure to put products I review out into the world and see how they behave. You’ll always get a real world review here.

If you have gained from the system and don’t return said gains. Then you’re essentially burning a bridge after you successfully crossed it vs still being on the bridge. Of course they can speak on it. Anyone can speak on it, but your voice carries less water when you gained from the system you now criticize

@@JamesJacksonFilmz Thinking critically, you should always be assessing the point, not who said it or what they’ve done in the past. Is the point a good one or bad one, not “you did it too”. Regarding Gerald, you seem to have understood his point but not at the same time, I’m not sure. His point is, the system of rushing reviews and especially doing it while on a trip is not good for the consumers, your subscribers, that’s it. And he tries not to do that himself.

There’s 6 different lights lighting my studio when I film. The setting is intentional and my own personal taste. It’s lit fine. Should probably raise the brightness of the screen

Great points man!